Moti Lal Kemmu: A Visionary Artist

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Moti Lal Kemmu was born in Fateh Kadal, Srinagar, in 1933, and he started dancing at a very young age. He used to say, "Dancing came to me naturally." As a result of his love for dance, he was introduced to a stage very early on, where he first performed as a dancer and then eventually earned small acting roles. He cites Gopi Nath from Anantnag (also known as "Gopi Bache") as an inspirational figure for him during his childhood. At that time, Parsi Theatre was involved in the productions and performances of the local theatre. Kaziran drama (Folk Drama of Kashmir) beautiful traditional & cultural based genres of drama. Akanandan (Tarachand Bismil) produces the predominant performances of the Parsi Theatre. In 1953, there was a significant movement in Kashmir called the "Cultural Congress." Even though he was very interested in painting, many of the young people in Kashmir were also interested in Dance and Drama. Therefore, after completing his undergrad...

Baba Bhed Devta Temple, Jammu

https://vivekkoulinsights.blogspot.com/2026/01/baba-bhed-devta-temple-jammu.html


A Sacred Dogra Heritage Shrine:

The shrine of Baba Bhed Devta is a hidden gem and a significant aspect of the cultural traditions of the Dogra people who inhabit the Shivalik Hills and nearby area. Located in the southern part of the Shivalik Hills, the shrine can be found where the holy River Suryaputri (the modern stream Tawi) meets the hill. Baba Bhed Devta or "Baba Bhed Nag" is a Dogra style shrine with many stories and unverified accounts written by people who visit it. The incredible natural setting of the shrine, in addition to its distance from larger towns, gives the shrine a sense of holiness. Baba Bhed Nag became the king of the Jammu dynasty because Vasuki Nag (King of the Serpents), his father, provided him with control of the Jammu kingdom after he was able to redirect the waters of the Tawi River from the Kali Kundi Glacier located in the Kaplash Mountains in Bhaderwah, and it resulted in the many Rajput families with small kingdoms in the Jammu region viewing Baba Bhed Devta as their kuldevta with the blessings of Kaliveer.

Mythology of Baba Bhed Devta and_toggle of Jammu Kingdom:

The myth of Baba Bhed also bears historical importance because it shows that the Nagas, who ruled northern India in ancient times, were known to worship serpents. Additionally, the myth comes from the Shaivite Hindu beliefs that were widespread throughout Jammu and Kashmir during the early days. The Shrine is located at a site called Bhed Village, Bhed Shrine sits above a large rock with the River Tawi at the rock's base. The river has created a large water body where the fish are abundant and are referred to by the locals as Devta, and they are used for offerings made by Devotees. Fishing of the water body is prohibited, making it an area set aside as a sanctuary.

Naga and Shaivite Traditions in Historical Context:

Baba Bhed is becoming a holy place in the Jammu Region and Punjab, and thousands of devotees visit this place every year to pay their respects to Baba Bhed. Traditionally, the Brahmins of the two villages Largan and Sodha are the Priests who perform the rituals in this shrine. In addition to the Brahmins, the Rajputs of the two villages Bhed Mandi and Aitham are also the caretakers (sevadars) of the shrine. Although the pilgrimage continues year round, the largest number of visitors occurs on Sundays, purnimas or some auspicious day for the mundan ceremony. A very large Mela is also celebrated on the Aashad and Sharad Purnima. At the time of these festivals, some peoples, known as Gardis (or Baba Bhed de Balyats) offer Karkas in honour of Baba Bhed and the drummers accompany them. The head pujari performs Jattar in honour of the deity. Baba Bhed Nag, a manifestation of the life-giving water, has become a symbol of the hope of the people of the Kandi Belt for the future use of water and thus of future agricultural productivity for all."

Location, Sacred Waters, and Fish Sanctuary:

While the pilgrimage occurs all year long, the numbers of participants increases on Sundays, Purnima (full moon), and on other auspicious days when the Mundan ceremony can be performed. A large Mela occurs on the Aashad and Sharad Purnima. During this time, Gardis (also known as Baba Bhed de Balyats) sing Karkas in praise of the Devta (God) and play drums. Head Pujari also performs Jattar. Baba Bhed Nag represents the reverence the people of this Kandi Belt have for him because these people have traditionally had difficulty obtaining water, and the Devta's residence represents the source of life-sustaining water and agricultural production. 

Festivals, Melas, and Ritual Performances:

The shrine poses a significant challenge for pilgrims who visit the pilgrimage site because of inadequate infrastructure and connectivity. The only access to the shrine by road is through the Katal Batal base camp, where many essential services are not available to support the needs of pilgrims, such as toilets or places to rest. In order to reach the shrine, pilgrims must cross the Tawi River in boats, which provide a unique opportunity but are not a dependable mode of transport during the rainy season. Upon successfully crossing the Tawi River, pilgrims must walk along an unpaved, weather permitting road to reach the shrine.

Need for Development and Tourism Potential:

It is critical to ensure that the large number of religious tourists will be able to visit this destination, and a footbridge over the Tawi River has already been built. We expect that public facilities will soon be made available at the shrine, which is currently experiencing unsanitary conditions. To improve access to the shrine, the trail through Aitham village must also be developed into a well-maintained bridle path. The potential for religious tourism in Jammu is significant, and many opportunities are available. The shrine has been placed under the jurisdiction of the Mansar-Surinsar Development Authority, which will oversee the improvement of this holy place beloved by Dogras.

Comments

  1. Very nice and well articulated write up.

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